University of Massachusetts, Amherst, USA

June 18-21, 2026 

Individual presentation

Building Collaborative Worlds: Everyday Practices of Hope and Resistance in Academic Writing

Luiza Bezerra
Centre for Social Studies-Faculty of Economics, University of Coimbra
ORCID ID: (https://orcid.org/0009-0008-7804-371X
Carolina Carvalho
Centre for Social Studies-Faculty of Economics, University of Coimbra
ORCID ID: https://orcid.org/0000-0003-4451-8023
Judith Jordà i Frias
Centre for Social Studies-Faculty of Economics, University of Coimbra
ORCID ID: https://orcid.org/0000-0003-0003-7076
Raquel da Silva
CEI-Iscte and Faculty of Economics, University of Coimbra
ORCID ID: https://orcid.org/0000-0002-5239-5919
Catarina Rosa
Instituto Superior Miguel Torga
ORCID ID: https://orcid.org/0000-0002-2440-4144
This paper examines how postgraduate students in Coimbra, Portugal, are collectively reimagining academic writing as a generative, collaborative practice through the Collaborative Laboratory for Academic Reading and Writing (CoLab LEA). Drawing on four years of practice-based research, we analyse how everyday acts of mutual support and creative knowledge production function simultaneously as resistance to isolating academic structures and as political practices of hope that prefigure more humane scholarly futures. CoLab LEA emerged from a simple yet radical proposition: what if academic writing—typically experienced as solitary, competitive, and anxiety-inducing—could become collective, creative, and sustaining? Through weekly "Focus & Write" sessions, monthly reading clubs, quarterly zine-making workshops, and intensive writing retreats, postgraduate students establish collaborative literacy: the capacity to produce rigorous knowledge together while maintaining space for vulnerability, experimentation, and mutual care. Drawing on Paulo Freire's pedagogy of liberation and arts-based research methodologies, these practices respond to structural conditions that remain largely unaddressed in contemporary higher education. The neoliberal university's emphasis on competitive individualism systematically excludes students lacking pre-existing social and cultural capital, producing alarming rates of anxiety, depression, and degree abandonment. International students and first-generation scholars face compounded marginalisation, navigating both academic hierarchies and physical displacement resulting from gentrification. The project's hybrid methodology therefore ensures inclusive participation while maintaining the embodied trust-building essential for genuine peer support networks. Hope operates not as optimistic rhetoric but as political practice: collectively imagining and enacting different academic futures through everyday actions. The co-creation of zines exemplifies this transformative potential—complex theoretical concepts are rendered into visual narratives and personal stories, democratising scholarly debates while validating diverse epistemological approaches. This hopeful story contains productive tensions. Without institutional recognition or sustainable funding, the project risks reproducing the precarity it seeks to transform. The modest scale—engaging 30-40 students—raises questions about how grassroots practices can scale while maintaining their radical character. There remains a danger that such initiatives become contained as "therapeutic" supplements rather than structural challenges to extractive academic cultures. Yet these limitations themselves reveal something important: how everyday resistance necessarily navigates between compromise and transformation, between working within institutions and imagining beyond them. This paper offers empirically grounded insights into how collaborative practices reshape academic life from within, contributing to broader conversations about grassroots transformation in hierarchical institutions while demonstrating that resistance and hope are not abstract concepts but embodied, situated practices that create liveable academic worlds in the here and now. Keywords: resistance, hope, collaborative practices, academic writing, arts-based research.
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